Fires in the Mirror by,
Anna Deavere Smith is a collection of monologues told from many different
characters in various locations, all of which on a particular side of the
controversy we discover throughout. Smith speaks of a historical incident from
the real world, therefore, risking loosing an unbiased audience to take her
story for what it is. Smith gives us 13 monologues before ever mentioning what
happened at Crown Heights, and she did so with intention. The characters revealed
to us before the controversy came to light had their own stories and their own
perspectives of what was to come. Smith gave her audience a chance to get to
know these characters personally before addressing their stance of which most
readers would soon disagree with. These monologues serve as a more intimate
introduction of the characters in their world before any mentioning of the
riots that affected ours. This way, we are able to see each character with a
clean slate and an unbiased opinion on whose they are according to what we
currently know.
These monologues justify the other side of the argument that
is so hard to comprehend once you’ve formulated an opinion of wrong and right.
Smith’s choice to connect us to characters on both sides of the equation allows
us to understand the reasons behind some of their opinions and relate some of
their actions back to certain things we learned about them before the riots
came into play. Ultimately, the playwright did what she did for a reason. It is
not our place to simply cut out what doesn’t immediately settle with us, rather
it is with great pleasure that we dig up motifs, themes, and underlying
messages in order to understand and appreciate what we’ve been given.
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