I want my poster to capitalize on the high levels of irony,
ambiguity, and complexity that make up the skeleton of On The Verge by Eric Overmeyer. Therefore, I’ve decided to use the
idea of a randomly placed, untraceable, collage of clutter similar to an “I
Spy” or “Where’s Waldo” puzzle. Images that depict the many different
environments, times, situations, and objects treasured through the notable
experiences of these women will be arbitrarily placed together to paint the
background of my poster. There will be a surplus of colors, themes, and
memorabilia on display. Surely, I will highlight a clock, an umbrella, and a
road to symbolize a journey, but will give no more insight to how or where that
journey unfolds. I am particularly fond of Mr. Coffee’s character, and what he
brings to the already surreal plot. I noticed that Mr. Coffee had a stronger
relationship with Fanny than he did Mary and Alex and think that choice was
made to encourage each person to be content in their own journey at their own
pace; a theme I noticed throughout. Finally, to represent the God-like presence
of Mr. Coffee, and the bold fantastical style in which the play was written, I
plan on filtering the finished picture with a dreamlike fog. A subtle detail
that hints toward surrealism and immortal content, giving the untrained eye
little to no concrete information about the play, but merely suggesting an
important feature to the world of On The
Verge. The tag line that will sit boldly in the center of the poster, on
top of the disorderly collage that basically serves as a picturesque analysis
of the play, is “The Mysterious Interior”. A fragment that can adopt countless
endings, 3 words with the potential of a thousand, a loaded phrase that means
so much and nothing at all.
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